Monday, September 2, 2019
All Quiet On The Western Front: Themes :: essays research papers
 All Quiet On the Western Front: Themes      All Quiet on the Western Front is a graphic depiction of the horrors of  war. In the short note before Chapter One, Remarque lets the reader know  exactly what themes he intends. War is a savage and gratuitous evil, war is  unnatural, and war is responsible for the destruction of an entire generation.  Remarque is very clear on the strength of his themes, and uses graphic imagery  to convey to the reader the physical and psychological impact that war has on  humanity. But Remarque uses more than graphic description to support his themes.  Remarque also utilizes a very defined nature motif, with the forces of nature  constantly rebelling against the conflict it plays battleground to. With the  Earth itself, the source of all things, supporting his themes, Remarque has a  seemingly unbiased witness bearing testament to his observations. Remarque can  use nature as the judge to condemn war, along with shocking imagery, so that his  literature remains without a trace of nationalism, political ill will, or even  personal feelings.       It should be noted that the nature motif is carried consistently  throughout the novel, and that it supports many of the author's lesser themes.  For the purpose of portraying war as something terrible, though, the nature  motif is expressed most dramatically in the following passages. These passages  mark the three distinct stages of nature's condemnation of war: rebellion,  perseverance, and erasure.       The first passage occurs in Chapter Four when the troops are trucked out  to the front to install stakes and wire. However, the narrator's squad is  attacked unexpectedly by an English bombardment. With no visible enemy to fight,  the soldiers are forced to take cover and live out the bombardment. In the  process, the earth is shredded and blown asunder. It is during this melee that  many of the companies' horses are wounded, and begin to bellow terribly.    "It is unendurable. It is the moaning of the world, it is the martyred creation,  wild with anguish, filled with terror, and groaning."         The bombing subdues, but the bellowing continues.    "The screaming of the beasts becomes louder. One can no longer distinguish  whence in this now quiet silvery landscape it comes; ghostly, invisible, it is  everywhere, between heaven and earth it rolls on immeasurably."         Remarque is none too subtle in using the dying horses as a metaphor for  the Earth's own anguish. As the men face a new horror, nature is revolting  against the damage being done to it. Remarque will return to this usage of the  nature motif, with war being anomalous and unnatural in the "natural" world.  					    
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